Black, white, warm colors
Orange, yellow, and red, which are often warmer tones, help to further emphasize the story's sense of warmth. Warmer hues reinforce the warmth of the family unit and the house in several movies. Warmer tones are frequently used in romantic comedies because they elicit a gentler, more romantic reaction from the audience. Black and white is a tool that, when used effectively, may help a movie set its tone. A visual aesthetic that color photography cannot can also be added to projects.
It's crucial to keep in mind that black and white may be just as subtly subtle as color since there are so many different things you can do to it. First off, there are always shades of gray in between black and white; they are never just black and white. Also, silver. also beige. Black and white is the color of glamour cinematography. The most glamorous icons of the screen, those actors who only require last names—Garbo, Bogart, Bacall, Gable, Dietrich—are most famously photographed in black and white. And, as its name suggests, at least one whole film genre is defined in large part by the fact that it was shot in black and white: film noir.
Directors still sometimes opt for black and white to make a political and/or aesthetic point. Street Scene (1989)—a film by an African American director—restages Charlie Chaplin's The Kid(1921) in the contemporary inner city, suggesting both that inner-city denizens have at least the humanity we grant to the little tramp, and that nostalgizing poverty is cruelly absurd. Some films are shot in black and white as a kind of homage to earlier cinema genres. Steve Martin's Dead Men Don't Wear Plaid (1982) pays tribute to film noir, while Movie Movie(1978) and Young Frankenstein (1974) fondly recall the 1930s backstage musical and the 1940s horror film.
Comments
Post a Comment